For a viewer, the strongest entry point is the work's organization of its motif. The landscape is organized through bands, paths, masses, and intervals, allowing foreground and distance to remain legible while surface marks keep the scene visually active. Recognizable forms remain important, yet contour, repeated touch, and shifts of tone keep attention on the painted surface.
Van Gogh's fame can encourage autobiographical readings of every image, but this work is rewarding on its own visual terms. Look at the pressure of edges, the transitions between near and far, and the way contrasting passages give the principal forms energy and presence.